Saturday 4 June 2016

The Art of Ordinary

For those of you who enjoy photobooks I have just published a small photo book called The Art of Ordinary.  The idea behind the book is to consider the notion of beauty, goodness and truth in simple, everyday scenes. For instance, can beauty be found in the banal? Can the straight photograph portray beauty, goodness and truth? The book seeks to challenge the viewer to consider what lies at the heart of beauty.

An excerpt from the book:
"...surely it is impossible to deny the shining light of beauty - the beauty that serves man by offering us an invitation to reconcile with life"

Printed on digital offset as a run of 30 x A5 booklets, signed and numbered, 32 pp,  29 black and white photographs, on Munken 130gsm satin stock with a Munken 300gsm satin cover.

To see more photos or to purchase this book please visit: http://photo.johnmenneer.co.nz/


To see more photos or to purchase this book please visit: http://photo.johnmenneer.co.nz/

Thursday 12 May 2016

Remedies for Nihilism

In Ecclesiastes King Solomon depressingly states: 

“Meaningless! Meaningless!”
 says the Teacher.
“Utterly meaningless!
Everything is meaningless.”

The photographer Robert Adams describes nihilism as "that downward pull that we all feel". Is life truly meaningless and futile, or can we look beyond ourselves and find something good in the most ordinary transactions of life?  Surely we owe it to ourselves to take up this consideration.  Are we not all called to look more closely, to attend to what is in front us, in the monotony of everyday life, and to find what is true, beautiful, and good?  But this seems a difficult task in the current age, where a culture of individualism and moral relativity confuses our thinking and our power to observe and reason. After all, art has lost its objectivity and is now uncertain of itself, it is a flowing river with no destination.

Is the work of an artist now open to any interpretation, and is the artist losing his right to convey his own certainties?  How does this leave the artist who considers it his job to shine a light on what he sees, and to fulfill the old traditional job of art, that is: to reconcile man to life, and to thwart the downward pull of nihilism?

Shadehouse view. Powells Road, Hamilton.
A-frame house. Ohaupo Road, Hamilton.
Marama Street, Hamilton.
Waipunga falls, Taupo.
Parana Park, Hamilton.
Farmland, Wairoa.
Main Street, Tologa Bay.
Sycamore tree. Peacockes Road, Hamilton.

Thursday 14 April 2016

Landscapes Left Behind

For a few years now I've been photographing the limestone karst country that lies on the coastal margin extending from Raglan to Port Waikato, situated on the west coast of New Zealand's North Island. Here exists a relict landscape lying amidst farmland - a stunning micro-landscape that offers us a glimpse of what was here before man colonised this country and began wildly swinging his axe.

I am blessed to have permission to wander this land - to look and see, to quietly observe, and to photograph. Some days a photographer friend and I journey there together, and then go our separate ways, returning late in the day to excitedly share our discoveries of beauty and form in the landscape.

More photographs of this landscape can be seen here: